Mel Bay
Guitar Portraits DVD
Guitar Portraits DVD
SKU:13096DVD
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In 1988, Buster Brad Jones entered Guitar Player Magazine's International Guitar Competition with his own composition Back Porch Boogie and a rendition of Limehouse Blues. He entered on a whim, at the last minute, using a $1.50 K-Mart cassette tape and a boom box. There were almost 900 entries, and he won on the first ballot. In 1990, he won the National Fingerpicking Championship at Winfield, Kansas. In the last years he has performed with Chet Atkins, Tommy Jones, Marcel Dadi, Thom Bresh and John Knowles. He is a regular at the annual conventions in Nashville and France of the Chet Atkins Appreciation Society. In France they have dubbed him LE MACHINE GUN. Stefan Grossman has been recording, performing and writing about acoustic fingerstyle techniques and styles for over forty years. During the period from 1965-1975 he studied and traveled with some of the legendary figures in the story of blues guitar i.e. Rev. Gary Davis, Mississippi John Hurt, Fred McDowell, Son House and Skip James. In the last years he has recorded and performed solo as well as with John Renbourn, Paul Simon, Sam Mitchell Jo Ann Kelly, Duck Baker and Mickey Baker. At the age of 12, John Miller was inspired to play the guitar after seeing Mississippi John Hurt perform at the Philadelphia Folk Festival. He bought his first guitar at the age of 16 and launched into an intensive period of study of Country Blues guitar, learning the music of John Hurt, Mance Lipscomb, Bo Carter, Blind Blake and other greats. By the time he was twenty-seven, John had released five solo albums to international critical acclaim. Those albums ranged from Country Blues and Old Time country music to the songs of George Gershwin. For the next 15 years, John focused on teaching, founding two music camps, composing and building a vocabulary in Jazz and Latin music.
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I was looking for the right equipment for my Camac Isolde Celtic harp. I did NOT want to install the Dusty Strings pick-ups- seemed like way too much to add. This little gizmo was easy to install with the little pictures on placement- like, less than five minutes easy. I plugged the pickup into my new Roland Mobile Cube and it’s perfect! I don’t hear any sound distortion, and I think this will be just right when playing background music for noisier environments. Super happy with this!

I was excited to receive this kit. I do have several banjos already; however, I did not have a mountain banjo. I have built gourd banjos and ekontings (I went to Gambia in 2004 and 2007 to learn how to play and make them) from scratch, so I am not a beginner in terms of making instruments. I had a lot of fun putting the kit together. I do have a few observations regarding tips or slight modifications in the instruction manual, if interested.
Thanks!
Paul Sedgwick

I am very happy with the quality of the instrument. I am of Puerto Rican decent and it reminds me of my childhood, watching the musicians and learning to play myself. It is a beautiful guiro and sounds amazing.

It's great to be able to buy a hurdy gurdy in the US without having to wait for 6 months to a year or more. The Aplo is a quality entry level instrument that produces beautiful sound. It resonates very well and there are no buzzes or squeaks. Workmanship is very good. I got mine cottoned, rosined and tuned in a half hour. The transaction was easy and it arrived within a week.
I've been able to play some tunes on it with only a few hours of practice. It's going to be a lot of fun.

I love it, the entonation is really very good (sorry for my bat english).
Regards!